"I'd Buy THAT For A Dollar!"
I picked up the special edition of The Mad Dutchmen’s teen heartthrobs in fascist futuristic warfare pic, Starship Troopers, this weekend, and I have to say, a better six dollars has rarely been spent. Along with the first two Blade films, and Verhoeven’s other cheesy sci-fi gut busters Total Recall and Robocop, it’s one of—maybe my favorite—truly trashy movies. I mean, really, there’s just no way to excuse the film on any level. The effects are above par, I suppose, but the action scenes themselves are (purposely, I suspect) limp and melodramatic. As with all of Verhoeven’s sci-fi flicks, the set design is plasticky, almost toy-like; it always looks like an underbuilt studio backlot. The acting makes most daily soap stars look like Altman-film Oscar winners. So what gives? Maybe it’s just the sheer lunacy of it. Maybe (probably) I’m just a sucker for space marines and swarms of killer aliens. Maybe I’ve got some rare susceptibility to anything that is pure, vapid irony. Or maybe—and this is as close to an actual argument for the film as I’ll likely ever come—Verhoeven manages, somehow, to capture that unadulterated, utterly mad big movie energy that a relatively mainstream cinemaniac like myself is helpless to resist.
2 Comments:
Starship Troopers was the first non-Star Wars movie that I ever saw in a movie theater. Not coincidentally, my first encounter with it was as a preview before the Special Edition release of A New Hope (the first movie that I saw without a parent present!)
I saw it, I think, some four or five times in the theater (twice even dragging along a poor, unsuspecting dates) and to this day it remains one of my favorite movies to watch.
At 16 I thought it was a provocative meditation on fascist tendencies in our media-driven society. Now... I concede that you're probably right: "there’s just no way to excuse the film on any level."
But still a helluva good time.
"Put your hand on that wall!"
I've always hated Heinlein's novel, which, like this film, can't be excused on any level. But at least Verhoeven manages to cover up the worst fascist excesses of the book just fine. For one thing, he gives us those brilliantly laconic shower scenes, with the perfect, utopian mingling of the naked, wet, soapy sexes. Those scenes work so well exactly because they aren't erotic, there's no hint of sex in the flesh (which is weird, coming from Verhoeven!) and the complete nonsense of it all is sort of compelling. That one decision, to change Heinlein's world where "women's intuition" was only good for piloting starships, is a great excuse for this movie. Plus, it's damn good fun. It's not boring and it's not in love with its effects and it's not trying to be deeper. It's just, as you put it, space marines and swarming aliens. I think that's more than enough.
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